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To Have and Have Not (Keepcase)

Help the Free French? Not world-weary gunrunner Harry Morgan (Humphrey Bogart). But he changes his mind when a sultry siren-in-distress named Marie asks, "Anybody got a match?" That red-hot match is Bogart and 19-year-old first-time film actress Lauren Bacall. Full of intrigue and racy banter (including Bacall's legendary whistling instructions), this thriller excites further interest for what it has and has not. Cannily directed by Howard Hawks and smartly written by William Faulkner and Jules Furthman, it doesn't have much similarity to the Ernest Hemingway novel that inspired it. And it strongly resembles Casablanca: French resistance fighters, a piano-playing bluesman (Hoagy Carmichael) and a Martinique bar much like Rick's Cafe Americaine. But first and foremost, it showcases Bogart and Bacall, carrying on with a passion that smolders from the tips of their cigarettes clear through to their souls.Yes, it's true: you can virtually see Humphrey Bogart and Lauren Bacall falling for each other in this Howard Hawks variation on Casablanca but adapted from--as legend has it--Ernest Hemingway's self-declared "worst novel." (The story goes that Hawks told Hemingway he could make a movie of the author's least work, and Hemingway gave him the rights to this story.) The script by William Faulkner and Jules Furthman actually makes this one of Hawks's and Bogart's most interesting and often exciting films. Bogart plays a boat captain who reluctantly agrees to help the French Resistance while wooing chanteuse Bacall. Hoagy Carmichael, wry at the piano, adds a delicious accent to an already wonderful mood. --Tom Keogh









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